Inspired by American sign painting, Acron is a dynamic brush typeface intended for bold usage in large sizes.
The careful balance between the emotional swings and shapes set in strong contrast such as the burly serifs, or generally vertical and orderly appearance within the Duwal Pro determine the special look of this Antiqua typeface.
All characters of the Duwal Pro are designed to be open and accessible. The lowercase letters are designed with a large x-height, which is why they are ideal for small font sizes. Many striking details give Duwal Pro a defined and firmer appearance with increasing font size so it is also suitable for use in headlines and work marks.
MRS TAILOR is distinguished by the filigree guide of a sewed thread. Because of its designed gracefulness, a continuous homogeneity of the typeface is developed which, owing to the thin contour, obtains a modern ease and fluency. Due to these prominent characteristic features, MRS TAILOR is suited especially for the formation of corporate designs and headlines.
The Version 1 font family is a mannered geometric linear-grotesque, hand drawn and developed by Oliver Jeschke and Oliver Mayer at Tatin Design Enterprises in Basel, Switzerland and Berlin, Germany. It was created in a three-month training and was further developed in the later stages as OpenType font.
This type is gone away from the regular tempo of design and for the individual, to decorate with it , to be used for the headline, title and/or award areas.
Mineral is a glittering writing, fractured into multiple tetragonal splinters, rectangular modules slightly spaced, like quartz and pixels. A Kapla style construction, with stencil properties – Solid version – however offers to the font a great readability. Mineral Solid has 2 stylistic titling alternatives: Border and Outline.
With special limited specimen brochure, printed with love! Get your own copy!
Specimen design by Nicolas Millot. Edited: ¶ PILCROW Print & Publishing
The shapes of BLATTWERK (german for leafage) are based on an abstract leaf. The geometrical sans serif font has several standard and decorative ligatures and will work best as a display typeface for logos, headlines and short texts. The individual letters can also be used to form symbols or patterns.
The Corporate Sans Serif Typeface with 6 weights is skilled for your typography: PRO style.
Completely revised version 1.1: contrasts, kerning, naming, screen optimization, ...
SPecial offer: 50% off until end of October!
Each font has an extended character set to provide most European languages. The typefaces include ligatures, alternate- & swash letters, smallcaps, fractions, lining-, tabular numbers, superior/inferior figures and ornaments. Carefully drawn. High readability.
To antagonize the daily type-routine in schools, the type foundry Volcano Type now offers 4 full type families to students for free in a six-months-cycle. Students can download the typefaces and work with them within their study projects and privately without any costs. Therefore a nice poster was designed by Visiotypen (Stuttgart, DE) and Peter Brugger (Istanbul, TR) which has been printed completely with special colors and which introduces the current available typefaces with a short profile. How does it work?
We visited the opening of the exibition Call for Type at the Gutenberg-Museum in Mainz (06-06-2013), our font FRAKTENDON is presented there among other very interesting typefaces. Here are some impressions of this lovely evening! Very good work of the Call for Type team, wonderful exibition! Thanks for all!
S-L is a font drawn in 2006 by Benoît Bodhuin for the University of Arts Saint-Luc de Tournai. Reminiscent of Futura, its geometrical drawing is based on the directions of the hexagon, a scrupulously followed constraint which confers on some glyphs a very particular drawing. Available in Bold and Regular.
S-L is on sale (50% off) till the end of May!